FLOATENTERTAINMENT
Feature documentary

Tiny Hearts

Hope in the heart of chaos

A pediatric heart team travels into war zones and fragile hospitals to operate on children born with congenital heart defects, for whom surgery can’t wait.

SF DocFest 2026Official Selection4K
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Writer / Director / Producer

Featured work

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CHRIS DELA CRUZ · STORY ARCHITECT

The format changes. The architecture doesn't.

Writer, director and producer. Every project starts with the structure of the story, then takes the form that serves it best: feature, series, short, vertical or documentary. Written, shot and cut under one roof at Float Entertainment.

Portrait of Chris Dela Cruz
CHRIS DELA CRUZ · LOS ANGELES

PLACES I'VE FILMED

Drag to spin · select a country to fly there

    DEPARTURES

    The slate

    Select a departure for the one-sheet
    DEPARTURES SALIDAS · DÉPARTS
    FLOATENTERTAINMENT · LOS ANGELES

    On location

    Most cameras never get in here

    WORK WITH FLOAT

    Built from story. Written, directed, produced.

    From the first frame on paper to the final cut and the page that launches it.

    Tell me what you're making

    Storyboards, a vertical series, a site, or a film. Say what it is and when you need it.

    01

    Directing & Producing

    Narrative, documentary and branded work, from concept and packaging through delivery. WGA West writer-director; Tiny Hearts was an SF DocFest 2026 Official Selection.

    Development · packaging for buyers · directing · producing · delivery

    02

    Vertical Series

    Short-form series built for Reels, TikTok and Shorts, for brands and for mission-driven organizations. I produce, shoot and cut episodes designed to hold attention in the first second and carry a story across a season.

    Series format · field production · editing · title packages · delivery to spec

    03

    Storyboards & Previs

    Full-feature boards, built fast. Every scene planned with a director's eye, using AI-assisted tools, so your DP, AD and investors see the film before cameras roll.

    Shot-by-shot boards · key frames · previs sequences · pitch-ready visuals

    04

    Editing & Post

    In-house editorial for documentary, branded and episodic work. AI-assisted logging and selects get me to the story faster, and I spend that time on the cut.

    Footage indexing · selects · rough to final cut · multicam · finishing

    05

    Launch Sites

    The site a film, studio or company launches with. Custom design and animated scroll, built, hosted and kept current, so it looks like it means it.

    Design · build · hosting setup · launch · ongoing updates

    CASE STUDIES

    The work behind the services

    The Lesson key art: a masked figure

    STORYBOARDS & PREVIS

    The Lesson

    Horror feature · Ryder Media

    The production needed the whole film on paper before cameras rolled. I boarded it end to end: more than 900 frames, built with AI image tools under a director's eye, giving the director, DP and team one shared picture of every scene. I also sourced the film's signature mask, designed the one-sheet and built the landing page.

    Still from the Libya vertical series

    VERTICAL SERIES

    Global Cardiac Alliance

    Impact series · Tripoli

    GCA wanted its first vertical series: real stories from pediatric heart missions, told in 60 to 90 seconds. I travel with the surgical team, shoot in the OR and ICU, and cut self-contained weekly episodes for Reels, Facebook and Shorts. For Tripoli, I indexed all 667 clips with AI-assisted logging to find the story fast. Next mission: Tanzania.

    LAUNCH SITES

    Ryder Media

    Production company site

    Ryder Media needed a site that matched its slate. I designed and built a custom premium site with an animated scroll that walks visitors through the company and its projects, then launched it.

    Chris Dela Cruz on set with a RED camera on his shoulder

    WRITER · DIRECTOR · PRODUCER · WGA WEST

    Chris Dela Cruz

    Chris is a story architect: a writer, director and producer who builds the structure of a story first, then chooses the form that carries it. Through Float Entertainment, his Los Angeles production company, he develops and makes features, series, shorts and vertical work.

    His first feature screenplay, LAYOVER, is complete. His feature TINY HEARTS was an Official Selection at SF DocFest 2026, and its companion book, LIKE-HEARTED: A FILMMAKER'S PATH, is out now. He has filmed across Africa, the Middle East and Eastern Europe. Raised in Daly City, based in LA.

    Chris Dela Cruz directing Philip Lawrence and Raven Lawrence on a couch during a scripted musical scene
    Directing Philip Lawrence and Raven Lawrence.

    DIRECTOR'S STATEMENT

    I build stories the way an architect builds a house. Structure first, then the rooms, then the light. I've carried cameras into operating rooms in Libya and across the border into Ukraine, and every one of those rooms taught me the same thing: a true story has a load-bearing beam. Find it, and the form follows, whether that's a feature, a series or sixty seconds on a phone. The question never changes: what does the person watching walk away with?

    Chris Dela Cruz